Turin Lung, data visualisation on archival paper, walnut frame, 40 x 30cm, 2025.
album Jesus, studio installation view, 2025.
album Jesus (blue and yellow), data visualisation on archival paper, walnut frame, 40 x 30cm, 2025.
album Jesus (pink and green), data visualisation on archival paper, walnut frame, 40 x 30cm, 2025.
Flat Death (Exactly how much death?), data visualisation on archival paper, 40 x 30cm, 2024.
Yellow Vase with Chinese Fortune Cookie, Photograph on archival paper, walnut frame, Chinese fortune cookie, approx. 45 x 30cm, 2024.
31 plums, one of which is stoned, photograph on archival paper, 40 x 30cm, 2023.
Black Cloud, photograph on archival paper, hand-stained walnut frame, 152 x 101cm, 2024
Even though you could frame any particular object (19 photographs of the moon made while preparing the drug of immortality), photograph on China white archival paper, 40 x 30cm, 2024.
Studio installation view, Depiction and Arousal (Homo Antecessor Male) with Juniper Green Vase and Single Juniper Berry, photograph in hand-stained walnut frame, glassware, dried juniper berry, 2024
Depiction and Arousal (Homo Antecessor Male), photograph on archival paper, 40 x 30cm, 2024.
Studio installation view. L: It’s better to be a lion for a day than a sheep all your life, photograph on archival paper, 40 x 30cm, 2024.
R: Absent Castle Rock, Oregon, 1867 (Carleton E. Watkins), replaced by a single rock from Oak Tree and Rocks, Forest of Fountainbleu, 1849-52 (Gustave Le Gray), photograph on archival paper, 40 x 30cm, 2024
It’s better to be a lion for a day than a sheep all your life, photograph on archival paper, 40 x 30cm, 2024.
Absent Castle Rock, Oregon, 1867 (Carleton E. Watkins), replaced by a single rock from Oak Tree and Rocks, Forest of Fountainbleu, 1849-52 (Gustave Le Gray), photograph on archival paper, 40 x 30cm, 2024
At breakfast, before school, Za’atar and glue on card, 14.8 x 10.5cm, 2023.
Studio installation view, Complete Landscape, photographs on archival paper, hand-stained walnut frame, approx. 152 x 222cm as complete work, 2023
Studio installation view, Totem Vase 7, photograph on archival paper, hand-stained walnut frame, 152 x 101cm, 2023
Studio installation view, Totem Vase 8, photograph on archival paper, hand-stained walnut frame, 152 x 101cm, 2023
Studio installation view, Totem Vase 5, photograph on archival paper, hand-stained walnut frame, 152 x 101cm, 2023
More or less complete landscape (The cloud of ducks obscures the sky so much that poor Europe does not know which road to take), photograph on archival paper, 152 x 81cm, 2023
Depiction and Arousal (Snake Plant in Concrete Pot with Albacore Tuna Sashimi), photograph on archival paper, Divine Savages “Hierarchy Mustard” Wallpaper, 40 x 30cm, 2023
Nesting Golden Eagles, oil pastel and charcoal on archival paper, 40 x 30cm, 2023
Depiction and Arousal (Bill Gates with oat cake), oil pastel, charcoal, pencil and oat cake on archival paper, sage green wall,
40 x 30cm, 2023
Depiction and Arousal (The Drink), photograph on archival paper, 40 x 30cm, 2023
Depiction and Arousal (Martin Luther’s Hands at the Diet of Worms), photograph on archival paper, 40 x 30cm, 2023
Depiction and Arousal (Griffon Bleu de Gascoigne with Cucumber Sandwich), photograph on archival paper, 40 x 30cm, 2023
Depiction and Arousal (Washed Linen Napkins and Hard-Boiled Egg), photograph on archival paper, 40 x 30cm, 2023
L: Rose Vase, photograph on archival paper, 40 x 30cm, 2022
R: English Rose, photograph on archival paper, 40 x 30cm, 2022
R: English Rose, photograph on archival paper, 40 x 30cm, 2022
Rose Vase, photograph on archival paper, 40 x 30cm, 2022
It’s on you, digital drawing and photocollage on archival paper,
40 x 30cm, 2023
Ceremony (Blue Lake), oil pastel and crayon on book title page, 40 x 30cm, 2022
Depiction and Arousal (White Fox), photograph on archival paper, 40 x 30cm, 2022
Depiction and Arousal (Black Sheep), photograph on archival paper, 40 x 30cm, 2022
10 individual pixels and one of the first Standards Electronic Automatic Computer image scans of baby Walden Kirsch (1957) falling into a black hole, photograph and digital drawing on archival paper, 40 x 30cm, 2022
Teardrop, photograph on archival paper, 40 x 30cm, 2022
56 portraits of Sir Francis Galton (A sufficient number to use up an entire bottle of Pears’ Blanc de Perle), photograph and Blanc de Perle on archival paper, 40 x 30cm, 2022
35 lemons, one of which is drawn by hand, photograph and digital drawing on archival paper, 40 x 30cm, 2022
Blue Cornflower, oil paster on archival paper, 40 x 30cm, 2022
Studio installation view, 2022
Ethnic Cleansing (White Death), photograph on archival paper, 40 x 30cm, 2022
Piddle, digital drawing and photocollage on archival paper, 40 x 30cm, 2022
009 (After Godfrey Kneller, Portrait of John Locke, 1697), From the series “A selection of white people’s expressions from the great period of realism organised into a grid and positioned in such a way that they can smell a lemon”, photograph on archival paper, 40 x 30cm, 2022
A selection of white people’s expressions from the great period of realism organised into a grid and positioned in such a way that they can smell a lemon, studio installation view, 2022
OK, digital drawing and photocollage on archival paper, 40 x 30cm, 2022
Painting of the inside of an apple, photocollage on archival paper, 40 x 30cm, 2013
University, photocollage on archival paper, 40 x 30cm, 2022
Studio installation view, 40 x 30cm, 2022
5%, photocollage on archival paper, 40 x 30cm, 2022
Galton Nose, photograph and Blanc de Perle on archival paper, 40 x 30cm, 2022
nug, photocollage on archival paper, 40 x 30cm, 2022
Jacob Anthony Chansley I, photograph on archival paper, 40 x 30cm, 2022
Jacob Anthony Chansley II, photograph on archival paper, 40 x 30cm, 2022
Four Career Paths, text and logos on archival paper, 40 x 30cm, 2022
German Eagle (Group Portrait), photocollage on archival paper, 40 x 30cm, 2022